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And any Channing Tatum ( Logan Lucky, The Lego Batman Movie) fans who turn out to see him as a Statesman agent are going to be very frustrated: he barely appears in the movie at all. Jeff Bridges ( Hell or High Water, Seventh Son) as the head of Statesman appears to have shown up on set for one day of shooting to phone in a couple of quick scenes that exist entirely apart from the rest of the story. (Even over-the-top characters in a comic-book movie still have to work within their own stories.) Emily Watson ( Everest, A Royal Night Out) as an advisor to the president and Elton John ( The Road to El Dorado) as himself are terribly abused by Vaughn. The movie embarrasses some big names in supporting roles: Julianne Moore ( The Hunger Games: Mockingjay – Part 2, Freeheld) as the villain and Bruce Greenwood ( Gold, Fathers & Daughters) as the US president are performing pantomime, not creating plausible characters.

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The soundtrack is full of seemingly random pop and rock songs that are either shamefully on the nose or (much more often) horrendously unsuited to what is actually going on, including the least meaningful use of a John Denver tune in a year full of his music onscreen. (This is a big problem in modern big-budget filmmaking: Male filmmakers - always men - think that they can condemn misogyny or narrow gender expectations or extreme violence or all of the above merely by engaging in over-the-top versions of them. If it wasn’t already patently clear with Secret Service, Golden Circle confirms it: Kingsman is aware of the hugely awful overtones of Bond (and the traditional spy genre in general) and has no interest in anything other than celebrating them. The Bond franchise has been a full-on carnival of toxic masculinity - narcissism, sociopathy, misogyny, violence - but an unaware one, or unaware, at least, that its idea of masculinity was toxic rather than cool… until Daniel Craig took over the tux in 2006, and the character, and the series, got a lot more woke, and stepped back from the toxicity. He is, instead, with full awareness, doubling down on Bond. The atrocity of this one is all on them.) Vaughn seems to think that he is making a spoof of James Bond-type spy flicks, but he’s not doing that either. But since that was limited to six issues, all of which were used up by the first movie, this one is wholly invented by Vaughn and Goldman. (Vaughn again teams up with coscreenwriter Jane Goldman, and again they are working from the graphic novel by Mark Millar and Dave Gibbons. I wish I could say that there is the slightest hint here that returning screenwriter and director Matthew Vaughn ( X-Men: First Class, Kick-Ass) appreciates that he is on the edge of making a satire about profoundly entrenched global interests all acting as one enormous self-reinforcing cabal. So: Where is the money coming from, and why? Who benefits from having globetrotting spies at their beck and call? What the actual hell is going on here, and how are Kingsman and Statesman any different from the international drug cartel they join forces to go up against in Golden Circle, private money wielding its power in whatever the hell way it pleases? Even if this represented profit, not revenue, it is nowhere near enough to fund a spy outfit with international operations. But here’s a good basis for comparison: The most recent reported annual income for Jack Daniels, the clear inspiration for Statesman bourbon, was $121 million. But who funds Statesman? Secret Service suggests that the organization is backed up solely by sales of the Statesman-brand Kentucky bourbon that is the organization’s front in the same way that the Kingsman tailors is the British org’s front (though a nonfinancial one). But what does that mean, precisely? It means they’re mercenary spies, doesn’t it? I have a vague recollection of Secret Service mentioning something about Kingsman being funded by the crown heads of Europe, which at least offers a veneer of governmental authority and fealty to law and order - though of course there are deeply problematic aspects to that as well justice and order do not always sit side by side, and maintaining a status quo that the rich and aristocratic want is rife with… issues.

Duration : It FULL M O V I E |1080p| O N L I N E ONLINE : 135 minutes (2' 15').Here’s a phrase I do not recall from Kingsman: The Secret Service: “independent intelligence agency.” This is uttered in Kingsman: The Golden Circle in connection with the American counterpart to Kingsman: Statesman, to which we are introduced here. Production Country: United States of America It FULL M O V I E |1080p| O N L I N E ONLINE. It FULL M O V I E |1080p| O N L I N E ONLINE Release Date: September 05, 2017.